This course is designed for students to gain a critical understanding of key contemporary social issues as expressed in the cinema of Pacific Asia, a center of global cultural production. Mainstream Hollywood films have retained a dominant position in global markets, including Asia, and are an important factor in transnational filmmaking. On the other hand, films produced in Japan and Korea, in particular, have become important sources of "borrowing" by Hollywood filmmakers. By and large, however, Hollywood films continue to reiterate stereotypical images of Pacific Asia. In lieu of rehearsing these tropes, this course incorporates the voices of independent Asian American filmmakers.
The course explores diverse approaches to questions such as: What do we mean when we talk about cinematic realism, subjective reality, and objective reality? How do we make sense of and understand the connotations and contradictions inherent in the ways social relations and history are expressed in popular cinema? What is the relationship between national and transnational cinema in Pacific Asia? What role does cinema play within broader social, economic, and political contexts, and how does cinema reinforce or challenge structural desires and fantasies? What is the relationship between cinematic representations of gender, ethnicity, sexuality, and material reality? In other words, this course will focus on the relationship between cinematic narratives and the societies in which they are produced and/or consumed.